From the sound check through the entire gig, the two complementary tones of baritone and alto saxes were a delight, evoking Gerry Mulligan and Paul Desmond. Our band was:
Chris Biscoe on baritone sax, Allison Neale on alto sax, Jeremy Brown on bass and Matt Fishwick on drums.
The music was all pretty early, ’60s mostly. I do not understand why every alter kacker (yiddish for old person, literally it is what it sounds like) within a 100 mile radius of Stoke by Nayland was not there to hear and see this wonderful music, beautifully played throughout.
The gig opened with the 1957 Mulligan tune, “Stand Still”, which is the title track of the Mulligan/Desmond album. The tone hits you like a fine vintage wine. Two solos, alto then baritone, continued the taste.
There were lots of Mulligan tunes, but the band did not forget contemporary composers. Carmichael’s beautiful “Stardust” was given the band’s treatment, with Chris on B flat clarinet. Bass and clarinet combined to make a gorgeous intro. Jeremy had a fine solo on this one, and there was some lovely work with bass and drums. The horn solos were special.
Jerome Kern’s “All The Things You Are” ended the first set, again with wonderful horn solos.
Mulligan’s “Blight of the Fumblebee” was played at about the time I noticed that the popups behind the stage were wrongly placed: FLEEJAZZECE, not FLEECEJAZZ. Everyone had solos to savour on this one, Chris on the clarinet again.
The encore demanded was Mulligan’s “Line for Lyons” (not me, altoist Jimmy Lyons). Allison’s solo was lovely.
Well, it was a lovely gig. So on to next week.
Georgia Mancio sings like an angel in English, Italian and Portuguese. She scats and whistles too. Kate Williams is a consummate composer and pianist with a vocabulary all her own: rich in interest and accessible. The pair have written a special song about refugees, very appropriate as Refugee Action – Colchester are partners with us for this gig. Julie Walkington and Dave Ohm are perfect accompanists.
Do come along.