A Portrait of Cannonball – 25 October 2019

“A

As the interval after set 1 began, an audience member said to me, “you are going to have to find a lot more superlatives for this one”. Whisperings of “best gig” occurred. Yes, it was that good, so this will be a shortened note. Details don’t matter.

The personnel for this amazing gig were Tony Kofi on alto sax, Andy Davies on trumpet and flugel, Alex Webb on keyboard, Andy Cleyndert on bass and Dave Ohm on drums.

Tony and Alex compered the gig. we got an excellent picture of the life and career of Cannonball Adderley as the show went on. The programme followed Cannonball’s career, and included work that he recorded, some that he wrote, some that was written for him, an example of the latter being Miles Davis’s “Nardis”. A couple were by brother Nat. There was a fine balance between ballads and up tempo tunes.

Everybody soloed wonderfully. Everybody accompanied with strong empathic connections to their colleagues. Everybody seemed to be having a good time. So did we.

I want to single out two people. Dave Ohm was a dep, new to the music. He played as if he had been part of the band for years. Both Tony and and Alex made a point of thanking him for his fine work. So do I.

Samuel on the desk produced beautiful sound. He worked particularly hard to make the keyboard feel like an acoustic instrument.

Part of the function of the club is to give gigs to fine young musicians. You may not have heard of the names in the Calum Gourley Quartet, but you will soon, they are special musicians. Helena Kay is on saxophone; Kieran McCloud plays trombone; James Maddren (you might know this name) is on drums; the gig is led by bassist Calumn Gourley. The music will be great. Come along.

Take care,
Dave

Benn Clatworthy Quartet – 18 October 2019

“Benn

We haven’t had tenorist Benn Clatworthy in far too long. The wonderful pianist John Donaldson delighted us recently, and again last Friday. Simon Thorpe, with his bass and grin, is always welcome. New to us was Darren Beckett, a drummer of style, dynamic and tonal range on a very small kit. The audience loved the Benn Clatworthy Quartet.

Benn constructed a very good programme, varied in mood, speed and tone. He plays mostly in the upper registers of the tenor sax, with big changes in timbre. Some examples: the opening number of the first set was his “The Pursuit”. His tone was weighty, perfect for this tough up tempo number. The next number was Strayhorn’s “My Little Brown Book”. This was a 3/4 ballad, and Benn’s beautiful solo had a lightness and sweetness that was delightful, He also has a good rapport with the audience, having fun, but telling us what we need to know.

The programme left tons of room for the trio to blow. People who knew were anticipating wonders from John, and were not disappointed. His solo on Ellington’s Latin up beat “Angelica” was very special.

Darren had an excellent solo on “Angelica”, but the one that caught my ear was Benn’s “Bolivian Odyssey”. Darren has all the speed and technique, and fast streaming ideas, but he is not afraid of being very sparse with the notes.

Simon’s accompaniment is always special. His work, solo and accompaniment on Tyner’s “Search for Peace” was outstanding. He had a great duet with Darren on “Blues for Dicky” (I think by Torolf Mølgaard). Simon watched the others closely, often with a big grin on his face.

The song of the night for me was “Search for Peace”. It had superb solos and accompaniment from all, but more important, you felt what Tyner was writing about.

A special gig to be followed by another. We will gather together (in the Garden Room, please note) for “A Portrait of Cannonball“. This is a super band. We will have Alex Webb on keyboards, Tony Kofi on alto sax, Andy Davies on trumpet, Andy Cleyndert on bass and Dave Ohm on drums.
“An absolute blast, one of the most exciting gigs of the year … a brilliant all-round package.”- London Jazz New
“Kofi’s spirited approach was supported by a tight rhythm section and Andy Davies, whose trumpet solos were sharp and clear.” – Jazzwise

Catherine Lima Band – 11 October 2019

“Catherine

I was really sad to have to leave the Catherine Lima gig at the interval, because the first set was a cracker. I am told that it got even better in the second set. So this will be a truncated note.

The Catherine Lima Band is:
The beautiful voice and presentation of Catherine. Her love of the words just shines through.
We know and admire Paul Higgs as a trumpeter, but for this gig he was (mostly) on the piano,, quite excellent. He also had superb work on the trumpet, and the melodica also made an appearance.
The rest were new to us, but I hope they will return. Alex Field played electric and nylon stringed acoustic guitars. We need to see him back at the club.
Alex Keen was our bassist. He is an excellent soloist and a star accompanist.
Our drummer was Jason Campbell, a guy who knows how to play a room. I enjoyed his work on this gig.

Catherine gave me a set list with authorships, so the research was all done for me. Thank you, Catherine. She gave is an excellent start (that first song is so important) with a Latin tinged “A Taste of Honey” (Scott/Marlow). She has an excellent voice and lovely technique, which gave us the words and their emotional effects. So we started off happy, and got happier through the set. The lady can scat, as she showed us on Gershin’s “S’Wonderful”. Catherine’s phrasing on the Altman/Lawrence “All or Nothing At All” was superb.l.

The Mendez/Bergman blues, “Centerpiece” gave Paul a chance to bring out his beautiful green trumpet. He comped behind the vocals and had a wonderful solo. The melodica made an appearance on the Green/Hayman “I Cover The Waterfront”, appropriate tonality somehow for the song.

I am really sorry to have missed the second set. I hope we have them back.

Next week, the Benn Clatworthy Quartet graces our stage again. They are Benn Clatworthy tenor sax, John Donaldson piano, Simon Thorpe bass, Dave Ohm drums. “Some of the most emotive and creative jazz this side of Sonny Rollins” – Edinburgh Evening News.

Take care,
Dave