Sax Appeal – 28 December 2018

Sax Appeal - 28 December 2018

This was a gig comprising only original tunes. And yet a large audience came and had the most wonderful time. They knew that Derek Nash would excite them. The whole band was having so much fun.The fun infused into the top class musicianship and radiating to the audience. Just look at the lineup.

Saxes, left to right:
Bob McKay on baritone, flute and piccolo
Matt Wates on alto and one stinker of a joke
Derek Nash on alto, soprano, hitty things and all the compositions save one written with his dad
Paul Booth on tenor, amazing playing
Brandon Allen on tenor, ditto
Back line:
Pete Adams on piano, power personified
Phil Scragg on bass guitars, terrific intensity
Nic France grand playing, depping on drums.

I have got notes on all the tunes, filled with who had what great solo. They all played their asses off, and listened to each other. It was impossible to pick favourites from such fine solos.

Most of the evening was from Derek’s new album, “Big Bad Trouble”. The title tune was played in the first set. There is something about a beautifully harmonized horn chorus that puts a shiver down my spine: an amazing sound.

They ended with an oldy, “Voodoo Rex” (which you can see on our Youtube channel, fleecejazz1). If I had to pick a favourite it would be Brandon and Paul trading 4s on this one.

We all give thanks to eight stunning musicians for the best sendoff of 2018.

And now there is 2019. We begin with Chris Ingham on piano and Mark Crooks on sax giving us a musical portraite of Stan Getz, with Arnie Somogyi on bass and George Double on drums. It will be a cracker. Don’t miss it.

Have a happy, healthy New Year, all.

Take care,
Dave, and the copy editor, Roberta

Liane Carroll -14 December 2018

Liane Carroll title=

I have not been able to produce these notes for some time, because of health problems and crap network access in hospital. Last night was the first time in ages that I was able to help rig, run the sound check and the show, and help clean up.

Maybe it was the force of nature that is Liane Carroll that carried me through. What a gig! After a difficult trip from Hastings (the band all live there), we had a show that was fresh, lively, affecting, and musically stunning. Liane organized the sets in single numbers and in groups: the evening had a texture to it that made it pass almost too quickly. This was aided by Liane’s popcorn mind. Maybe its an old joke, but the first number was called “Almost Like Being In Hove”. Would Lerner and Loewe have approved? I hope so.

The two guys were terrific. Roger Carey played stunning bass throughout, with some lovely solos. Russell Field is an excellent drummer, who also had some extended solos that got the crowd whooping. But it felt like there was one mind on stage, the guys hearing Liane and she them, just about faultless through an evening of improvisation and unexpected happenings.

Liane varies her vocal range, timbre, intensity, volume (not the same) throughout her singing. She scats a lot, very inventive. What blows my mind is that she seems to do the same on the piano at the same time, almost fugal at times. One number in particular will stick with me. She did a solo, Kern’s “Ol Man River”, that everyone knows, but her take was hugely affecting.

Next week, no gig, but a whopper on the Friday 28 with the return of “Sax Appeal”. You will hear a horn chorus that you will never forget. Just look at the lineup: Derek Nash Saxophone & Compositions, Matt Wates Saxophone, Brandon Allen Saxophone, Paul Booth Saxophone, Bob McKay Saxophone, Pete Adams Piano, Phil Scragg Bass, Mike Bradley Drums

Happy healthy holidays to you all, and
Take care,

Dave